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Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Conceptual

Griffes

ByHugues Charrier
In La Ciotat

from 66.00€

La rouille, telle une bête sauvage, marque toujours sa proie de sa griffe par un tatouage indélébile.

more information about our prints

  • STEP 1 : Choose the print size

    • from
      numbered edition
    • from
      limited edition to 300 ex.
    • from
      limited edition to 200 ex.
    • from
      limited edition to 100 ex.
    Pigment print on Fine Art paper with white bevel-edged slip-in mount

    STEP 2 - Choose your aluminium frame 40x50 cms
    Aluminium frame

    • Top quality aluminium rod
    • Elegant, streamlined design
    • Exceptional workmanship
    • +
    • +
      (real wood leaf)
    • +
    Dibond aluminium print

    STEP 2 - Choose the finish

    • +
      • Colour sublimation
      • Modern glossy
      • Optimal protection
      • Easy maintenance
    • +
      • Floating and light look
      • Modern and elegant style
    • +
      • Colour sublimation
      • Modern glossy
      • Optimal protection
      • Easy maintenance
    • +
      • Floating and light look
      • Modern and elegant style
    • +
      • Colour sublimation
      • Modern glossy
      • Optimal protection
      • Easy maintenance
    • +
      • Floating and light look
      • Modern and elegant style

    Choose the colour

Manufacture time from 10 to 20 days
Ref. 00450CHARR

Tothegallery selects good quality material guaranteeing tip top printing.

All photographs sold in this gallery are printed in Provence with traditional craftsmanship and a particular process which ensures high quality finish.

To really set your prints off, Tothegallery proposes a luxury range of Nielsen frames, world leader in aluminium frames selected for its design and particularly good manufacture.

We can offer 4 print sizes : Classic, Medium, Large and Giant. Dependent upon the size chosen, different mounts and finishes are available.

Griffes

This picture was taken by Hugues Charrier at La Ciotat, in Bouches-du-Rhône.
You have the choice of 4 different sizes each one available in numbered copies with an individual certificate of authenticity.
Classic 36×24, Medium 60×40, Large 90×60 and Giant 120×80.

Classic : Pigment ink prints on Fine Art paper, framed with a white bevel-edged slip-in mount Size : 40x50cms.
Medium, Large, Giant : Photo prints on a fine sheet of Dibond aluminium. A gallery favourite for its rigidity and strength coupled to its light weight and ultra-modern stylish finish.

To really set your pictures off, Tothegallery offers, on option, high quality, luxury frames made for long life and timeless elegance.

 

Paper of
unrivalled quality

Photographs are printed on Fine Art paper which offers excellent sharpness and finish. We use high quality pigment inks guaranteeing long life (around 100 years and up to 200 years when protected from light and pollution).

To ensure a perfect finish and depth, photos are sold with a white, neutral pH, bevel-edged slip-in mount, 40 x 50 cms. in size, and a cardboard backing.

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Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
Photographie rouille Hugues Charrier
The artist

Hugues Charrier

Attentive to the uniqueness and fragility of the nature that surrounds him, Hugues CHARRIER strives to immortalize his different representations without artifice. It is therefore natural that he immersed himself in the heights of the massifs of Provence or off the Calanques, where he found the sources of inspiration for his photographic approach. With rust, he strives to highlight the degeneration it generates on the object designed by man. Through the metamorphosis that she imposes on it, regardless of the passing time, she brings it back to life as a unique work of art, through action on its material, structure, shape and appearance. Watching "Fleur de Rouille" is to be attentive to the notion of passing time, to be ready to sail on it, according to the imagination or its reality. It is to be part of the cycle of Nature, having the wisdom to go further, otherwise than yesterday. As with all his favorite subjects, Hugues CHARRIER seeks to simulate the eye, to force everyone to go beyond the first visual.

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